Rhona Brown

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Allan Ramsay, Court painter to King George III, was one of the major portrait painters of the eighteenth-century British school. Born in Edinburgh, he was also an important figure in the Scottish Enlightenment; his Dialogue on Taste merits an honoured place among eighteenth-century belles lettres. This book, by the world's foremost authority on Ramsay, gives an entirely fresh account of Ramsay's life and sheds new light on his artistic and intellectual development. A classical scholar and master of several modern languages, Ramsay was unquestionably the most erudite artist of the age. His friends included such celebrated men of letters as David Hume, Adam Smith, Horace Walpole, Samuel Johnson and James Boswell; he also came to know the French philosophes Voltaire, Diderot, d'Holbach and Rousseau (whose portrait he painted). Alastair Smart describes Ramsay's early years, his artistic training in Scotland, England and Italy, his rise to prominence as the leading portrait painter in England, his two marriages, his travels abroad, and his appointment as painter to the King. He discusses Ramsay's ideas, especially as revealed in the Dialogue on Taste. He analyzes the various phases in Ramsay's development as a painter and explores his relationship to such established painters as Hogarth and Highmore and to the younger painters Reynolds and Gainsborough. Smart's extensive discussions of Ramsay's major works are accompanied by numerous reproductions of his paintings, many appearing for the first time. Smart's biography of a remarkable Enlightenment figure - the fruits of sustained research over many years - fills a considerable gap in our knowledge of British eighteenth-century art.

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During the last half of the eighteenth century, sensibility and its less celebrated corollary sense were subject to constant variation, critique, and contestation in ways that raise profound questions about the formation of moral identities and communities. Beyond Sense and Sensibility addresses those questions. What authority does reason retain as a moral faculty in an age of sensibility? How reliable or desirable is feeling as a moral guide or a test of character? How does such a focus contribute to moral isolation and elitism or, conversely, social connectedness and inclusion? How can we distinguish between that connectedness and a disciplinary socialization? How do insensible processes contribute to our moral formation and action? What alternatives lie beyond the anthropomorphism implied by sense and sensibility? Drawing extensively on philosophical thought from the eighteenth century as well as conceptual frameworks developed in the twenty-first century, this volume of essays examines moral formation represented in or implicitly produced by a range of texts, including Boswell's literary criticism, Fergusson's poetry, Burney's novels, Doddridge's biography, Smollett's novels, Charlotte Smith's children's books, Johnson's essays, Gibbon's history, and Wordsworth's poetry. The distinctive conceptual and textual breadth of Beyond Sense and Sensibility yields a rich reassessment and augmentation of the two perspectives summarized by the terms sense and sensibility in later eighteenth-century Britain.--Publisher.