Paul G. Bahn

Easter Island--known to its inhabitants as Rapa Nui--is unimaginably remote, a mysterious volcanic island battered by the Pacific Ocean. Yet somehow this isolated speck produced one of the world's most fascinating and least understood prehistoric cultures. Its awe-inspiring giant stone statues, set in a bare landscape of rolling hills, abandoned quarries and huge craters, have become icons of the ancient world. Who were the people who produced these extraordinary towering figures? Why did they travel to the island in the first place, what did they bring with them, and how did they survive? In the most up-to-date and comprehensive study of this enigmatic culture available, Paul Bahn and John Flenley explore the mysteries of Easter Island, overturning many of Thor Heyerdahl's well-publicized but ill-founded theories. They consider possible methods by which the islanders transported the massive effigies over long distances and erected them on platforms. They also look at the largely undeciphered Rongorongo "script" engraved on wooden boards, and the bizarre cult of the birdman, with its complex egg-hunting ritual. Why, the authors ask, did the islanders deliberately topple the figures after the first Europeans visited the island in the 8th century? Drawing on new archaeological evidence, intriguing folk memories and the records of Captain Cook and other early explorers, Easter Island, Earth Island reveals how the decline may stem from ecological catastrophe. Easter Island confronts us with the specter of a civilization destroyed by reckless plundering of the environment, its abandoned statues a timely warning for us as guardians of our own fragile natural world--Earth Island.

The Golden Age of Hollywood utilized many backgrounds, from industrial zones of film studios to the mansions where the glamorous live, partied, and were buried. Yet few traces of that Tinseltown have been documented. Bahn takes us on a tour that is part history, part archaeology, and enlivened by reminiscence.

"Prehistoric rock art is the markings - paintings, engravings, or pecked images - left on rocks or cave walls by ancient peoples. In this book, Paul G. Bahn provides a richly illustrated overview of prehistoric rock art and cave art from around the world. Summarizing the recent advances in our understanding of this extraordinary visual record, he discusses new discoveries, new approaches to recording and interpretation, and current problems in conservation. Bahn focuses in particular on current issues in the interpretation of rock art, notably the "shamanic" interpretation that has been influential in recent years and that he refutes. This book is based on the Rhind Lectures that the author delivered for the Society of Antiquaries of Scotland in 2006"--