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Jan 1, 1952 — —· 74 yrs

UNITED STATES AUTHOR · FICTION · CHILDREN

Michael Cunningham

Also known as: Cunningham, Michael, Cunningham, Michael.

21
BOOKS
4.5
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Michael Cunningham (born November 6, 1952) is an American novelist and screenwriter. He is best known for his 1998 novel The Hours, which won the Pulitzer Prize for Fiction and the PEN/Faulkner Award in 1999. Cunningham is Professor in the Practice of Creative Writing at Yale University.

Cincinnati, United States
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ONCE our father bought a convertible.

— from A home at the end of the world, 1990

Most acclaimed

#2

A home at the end of the world

1990

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Presents two decades of American life - Bobby and gay Jonathan, growing up together in a small town in the 1970s; Jonathan's mother Alice; and, unconventional Clare, with whom the two grown-up men form a family.

#1

Queens

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Photographer Michael Cunningham and author and journalist George Alexander have captured here the trinity of black women, hair, and beauty salons. Angela Garner says that "The beauty salon is the one great thing we get to share as African American women. It's therapeutic." Tisch Sims says that wearing fantasy hair makes her feel "like a goddess, a queen." From the afro to the ponytail to dreadlocks to braids to relaxed hair to fantasy hair; from "good hair" to bad hair days, in this book black women from the United States, Africa, and London explore the fascination with hair and beauty that has long been a cherished part of African American culture.--From publisher description.

#3

Flesh and blood

4.0 (1)

It's Dr. Kay Scarpetta's birthday, and she's about to head to Miami for a vacation with Benton Wesley, her FBI profiler husband, when she notices seven pennies on a wall behind their Cambridge house. Is this a kids' game? If so, why are all of the coins dated 1981 and so shiny they could be newly minted? Her cellphone rings, and Detective Pete Marino tells her there's been a homicide five minutes away. A high school music teacher has been shot with uncanny precision as he unloaded groceries from his car. No one has heard or seen a thing. The master forensic sleuth finds herself in the unsettling pursuit of a serial sniper who leaves no incriminating evidence except fragments of copper. The shots seem impossible, yet they are so perfect they cause instant death. The victims appear to have had nothing in common, and there is no pattern to indicate where the killer will strike next. First New Jersey, then Massachusetts, and then the murky depths off the coast of South Florida, where Scarpetta investigates a shipwreck, looking for answers that only she can discover and analyze. And it is there that she comes face to face with shocking evidence that implicates her techno genius niece, Lucy, Scarpetta's own flesh and blood.

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