Leslie Scalapino

#2

1988

The journal Put', or The Way, was one of the major vehicles for philosophical and religious discussion among Russian émigrés in Paris from 1925 until the beginning of World War II. The Russian language journal, edited by Nicholas Berdyaev among others, has been called one of the most erudite in all Russian intellectual history; however, it remained little known in France and the USSR until the early 1990s. This is the first sustained study of the Russian émigré theologians and other intellectuals in Paris who were associated with The Way and of their writings in the journal. Although there have been studies of individual members of that group, this book places the entire generation in a broad historical and intellectual context. Antoine Arjakovsky provides assessments of leading religious figures such as Berdyaev, Bulgakov, Florovsky, Nicholas and Vladimir Lossky, Mother Maria Skobtsova, and Afanasiev, and compares and contrasts their philosophical agreements and conflicts in the pages of The Way. He examines their intense commitment to freedom, their often contentious struggles to bring the Christian tradition as experienced in the Eastern Church into conversation with Christians of the West, and their distinctive contributions to Western theology and ecumenism from the perspective of their Russian Orthodox experience. He also traces the influence of these extraordinary intellectuals in present-day Russia, Western Europe, and the United States.

#3

Miners, polar bears, insurgents sweeping the desert in Toyota pickups, a detective on the trail of illegal fur traders, Venus Williams' deconstructed forehand, wild horses, blooming chrysanthemums, tadpoles eating corpses in the Euphrates, and so much more -- Leslie Scalapino's Floats Horse-Floats or Horse-Flows is a startlingly beautiful, politically engaged, poetic novel. Narrative moments arrive out of inchoate states -- an alexia where unknown words create a future -- and the reader is continually and unexpectedly moved by the buoyancy and breathtaking velocity of Leslie Scalapino's language.