

FICTION · MAN-WOMAN RELATIONSHIPS
Leigh Greenwood
Okay, let's get the hard stuff out of the way right up front. Leigh is a man! I know men aren't supposed to write romance, but I do and I don't intend to quit. It's fun. If you're still mad, you can blame it on my wife. I wouldn't have known what romance was if, after I got married in 1972, romances hadn't started collecting all over the house. They were everywhere I looked, in the den, on the kitchen table, in the living room, stacked along one whole wall in the bedroom, even in the bathroom. When my wife wasn't cooking or taking care of the children, she was reading a romance. I admit I was a little supercilious about her choice of reading material. After all, I was reading Dickens, Hemingway, Austen, the classics! I started calling them her "sin, lust, and passion" books. I said it so often my daughter started calling them Mommy's "celeste" passion books. I thought it was funny. My wife didn't. One day, after what I’m certain was a typically condescending remark (you have to understand I'd never read a romance, just looked at the covers and made a snap judgment), she threw a book at me and told me to read it or shut up. Being an obedient husband (my wife's expletive deleted!), I read the book. It was Georgette Heyer's These Old Shades. I loved it. To this day it's one of my favorite books. Being thoroughly hooked, I searched new and used bookstores until I'd collected every book Georgette Heyer ever wrote. After reading them all several times, I asked my wife to suggest some other books. Since I have a minor in history, she started me on a diet of the icons of early historical romance, Kathleen Woodiwiss, Rosemary Rogers, Jennifer Blake, Bertrice Small, and Johanna Lindsey. By now I was completely addicted. Somewhere along the line, I read that women could make decent money (more than I could as a music teacher) writing historicals, so I tried to get my wife to write one. She told me she couldn't write, that I ought to write one. I said I couldn't think of a plot. This went back and forth for some time until I said if she'd give me a plot, I'd write a book. She said, "I've lost everything." It wasn't a plot, but it must have been enough. I sat down and started writing. 889 pages later, I had finished my first romance. A badly overwritten romance, but a book nonetheless. I didn't know much about writing, and nothing at all about the romance market, so I had to write two more books and join Romance Writers of America before I knew enough to sell my first book. Wyoming Wildfire was published by Zebra in 1987. Since then I’ve written 45 more books and four novellas. Unfortunately, after thirty-six years of marriage, my wife and I divorced. Even though it was amicable, it has been a difficult adjustment. House-hunting and moving from a home I’d occupied for twenty-seven years was no fun, but that’s behind me. My ex-wife is an excellent cook so I gave up cooking once we were married. Now I find that not only do I enjoy it, I’m good at it. In fact, I find myself standing over a simmering sauce or making soup to freeze when I should be writing. I’ve also come to a greater appreciation of what it takes to prepare tasty and interesting meals day after day, but you’re not likely to see any of that in my books. I haven’t written much about cooking since I got letters from readers after Wyoming Wildfire came out complaining that the heroine spent too much time in the kitchen. I recently celebrated my 70th birthday so I call writing my mid-life crisis career. I have a BA in Voice and an MA in Musicology from the University of North Carolina. I taught music in schools and/or was an organist/choir director in churches for thirty-two years before retiring to write full time. I have three grown children (notice I didn't say mature or responsible!) who are momentarily occupying distant parts of these United States. I enjoy gardening and singing in both church and community choirs. I have just welcomed a beautiful grandson, and a granddaughter is on the way. Now if I can just live long enough to tell them stories about their parents. (From the Author's website.)
Scarlett Thomas has been my best friend for as long as I can remember.
— from Someone like you
Most acclaimed

Love on the run
She's faced treachery and deception . . . Accused of selling company secrets to the competition, investment banker Claire Dalton is desperate to clear her good name and stay out of jail. Ten minutes after meeting hard-nosed private investigator Eric Sterling, she knows he's the man who can help her. And though he more than lives up to his reputation for being hot-tempered and arrogant, Claire soon sees a tender, caring side to the handsome P.I. that makes him truly irresistible. ... but nothing is more dangerous than love Eric Sterling doubts Claire's innocence - until a savage attack convinces him that someone wants her dead. And though he hasn't opened his wary heart to a woman in a long time, his need to protect her stirs up passionate desires he finds hard to control. There's something about Claire's fresh beauty and fierce spirit that might persuade him to trust and love again . . . if he can keep her alive long enough to try.

Fern
Fern Sproull, a young, swaggering opinionated ruffian, dressing and behaving like a cowboy, is determined Hen Randolph will hang for killing her cousin. She's equally determined that a fancy lawyer named Madison Randolph isn't going to get his brother off. Fern has spent the last eight years of her life outriding, out shooting, and out cussing every man in her path, and she's not about to let the man who murdered her cousin get off just because he's one of the Texas Randolphs. But how is she going to know what tricks Madison gets up to unless she follows him around? Madison Randolph, the brother who abandoned his younger orphaned siblings to go to Harvard during the Civil War, has come to Abilene, Kansas to defend his brother against a murder charge. There's not much love lost between Madison and his family, but he's certain Hen isn't a murderer and he doesn't mean to let him hang. The fact that an obnoxious female who dresses like a man and acts even worse intends to stop him only encourages him to prove he's the very best at what he does. The suave, sophisticated Madison is appalled, first to discover that under all that dirt and bluster is a woman, and secondly, that he's intrigued by her. But Madison soon discovers the female isn't so obnoxious after all and that the ties of blood can never be broken.

Texas bride
(The Night Riders Series) Owen was the good-looking one, the one who’d always counted on his charm to get by. But the war had changed them all, leaving Owen painfully aware that looks could kill as surely as bullets. On the trail of the traitor, he no longer prided himself on his ability to break hearts, especially when the heart belonged to a girl as plain-feathered and plain-spoken as Hetta Gwynne. Hetta made it clear she had no interest in winning a man, only winning back her ranch. But after tasting her surprisingly heated kisses, Owen realized it was his own heart that was in danger of breaking unless he could change her mind.