Laura Lippman

New York Times bestselling author Laura Lippman has been hailed as one of the best crime fiction writers in America today, winning virtually every major award in the genre. The author of the enormously popular series featuring Baltimore P.I. Tess Monaghan as well as three critically lauded stand-alone novels, Lippman now turns her attention to short stories — and reveals another level of mastery.Lippman sets many of the stories in this sterling anthology, Hardly Knew Her, in familiar territory: her beloved Baltimore, from downtown to its affluent suburbs, where successful businessmen go to shocking lengths to protect what they have or ruthlessly expand their holdings, while dissatisfied wives find murderous ways to escape their lives. But Lippman is also unafraid to travel — to New Orleans, to an unnamed southwestern city, and even to Dublin, the backdrop for the lethal clash of two not-so-innocents abroad. Tess Monaghan is here, in two stories and a profile, aligning herself with various underdogs. And in her extraordinary, never-before-published novella, Scratch a Woman, Lippman takes us deep into the private world of a high-priced call girl/madam and devoted soccer mom, exploring the mystery of what may, in fact, be written in the blood.Each of these ingenious tales is a gem — sometimes poignant, sometimes humorous, always filled with delightfully unanticipated twists and reversals. For people who have yet to read Lippman, get ready to experience the spellbinding power of "one of today's most pleasing storytellers, hailed for her keen psychological insights and her compelling characterizations," (San Diego Union-Tribune), who has "invigorated the crime fiction arena with smart, innovative, and exciting work" (George Pelecanos). As for longtime devotees of her multiple award-winning novels, you'll discover that you hardly know her.

The California dream weavers have invaded Charm City with their cameras, their stars, and their controversy... .When private investigator Tess Monaghan literally runs into the crew of the fledgling TV series Mann of Steel while sculling, she expects sharp words and evil looks, not an assignment. But the company has been plagued by a series of disturbing incidents since its arrival on location in Baltimore: bad press, union threats, and small, costly on-set "accidents" that have wreaked havoc with its shooting schedule. As a result, Mann's creator, Flip Tumulty, the son of a Hollywood legend, is worried for the safety of his young female lead, Selene Waites, and asks Tess to serve as her bodyguard/babysitter. Tumulty's concern may be well founded. Not long ago a Baltimore man was discovered dead in his own home, surrounded by photos of the beautiful, difficult superstar-in-the-making.In the past, Tess has had enough trouble guarding her own body. Keeping a spoiled movie princess under wraps may be more than she can handle—even with the help of Tess's icily unflappable friend Whitney—since Selene is not as naive as everyone seems to think, and far more devious than she initially appears to be. This is not Tess's world. And these are not her kind of people, with their vanities, their self-serving agendas and invented personas, and their remarkably skewed visions of reality—from the series' aging, shallow, former pretty-boy leading man to its resentful, always-on-the-make cowriter to the officious young assistant who may be too hungry for her own good.But the fish-out-of-water P.I. is abruptly pulled back in by an occurrence she's all too familiar with—murder. Suddenly the wall of secrets around Mann of Steel is in danger of toppling, leaving shattered dreams, careers, and lives scattered among the ruins—a catastrophe that threatens the people Tess cares about...and the city she loves.

Thirty years ago two sisters disappeared from a shopping mall. Their bodies were never found and those familiar with the case have always been tortured by these questions: How do you kidnap two girls? Who—or what—could have lured the two sisters away from a busy mall on a Saturday afternoon without leaving behind a single clue or witness?Now a clearly disoriented woman involved in a rush-hour hit-and-run claims to be the younger of the long-gone Bethany sisters. But her involuntary admission and subsequent attempt to stonewall investigators only deepens the mystery. Where has she been? Why has she waited so long to come forward? Could her abductor truly be a beloved Baltimore cop? There isn't a shred of evidence to support her story, and every lead she gives the police seems to be another dead end—a dying, incoherent man, a razed house, a missing grave, and a family that disintegrated long ago, torn apart not only by the crime but by the fissures the tragedy revealed in what appeared to be the perfect household.In a story that moves back and forth across the decades, there is only one person who dares to be skeptical of a woman who wants to claim the identity of one Bethany sister without revealing the fate of the other. Will he be able to discover the truth?

Brand-new stories by: David Simon, Laura Lippman, Tim Cockey, Rob Hiaasen, Robert Ward, Sujata Massey, Jack Bludis, Rafael Alvarez, Marcia Talley, Joseph Wallace, Lisa Respers France, Charlie Stella, Sarah Weinman, Dan Fesperman, Jim Fusilli, and Ben Neihart.From the introduction by Laura Lippman:"To live in Baltimore—Bulletmore, Murderland . . . is to be aware of killing; we have not enjoyed the sharp declines in homicide rates achieved by cities such as Boston and New York. We remain steadfastly in the top five, per capita, year in and year out. Statistically, two people died while I was working on this foreword . . . Baltimore also has an odd geographic distinction. It is one of only two major U.S. cities that lies in no county. (St. Louis is the other.) Landlocked on every side but one, which is water, it cannot expand or annex. Squeezed this way, it is a perfect setting for noir, which depends on an almost Darwinian desperation among its players."

From Laura Lippman, one of the most critically acclaimed crime fiction writers today, comes an intriguing new tale of mystery and suspense with everyone's favorite P.I., Tess Monaghan. This time Tess is involved in a frightening investigation that will make her question her loyalties and threaten those she holds most dear. . . . No Good DeedsFor Tess Monaghan, the unsolved murder of a young federal prosecutor is nothing more than a theoretical problem, one of several cases to be deconstructed in her new gig as a consultant to the local newspaper. But it becomes all too tangible when her boyfriend brings home a young street kid who doesn't even realize he holds an important key to the man's death. Tess agrees to protect the boy's identity no matter what, especially when one of his friends is killed in what appears to be a case of mistaken identity. But with federal agents determined to learn the boy's name at any cost, Tess finds out just how far even official authorities will go to get what they want. Soon she's facing felony charges — and her boyfriend, Crow, has gone into hiding with his young protege, so Tess can't deliver the kid to investigators even if she wants to. Time and time again Tess is reminded of her father's old joke, the one about the most terrifying sentence in the English language: "We're from the government — and we're here to help."

Baltimore police receive an urgent call out to Glendale High after gunshots are heard coming from a locked girls' toilet. It appears that three girls are in there but only one, Josie, is conscious. She assures the police through the locked door that she's not the shooter. She also insists that she cannot manage to unlock the door because of the injury she has suffered to her leg. After a janitor is summoned, the police cautiously enter the bathroom. They find three victims - Josie, whose leg wound seems relatively superficial; Perri, who is unconscious from a bullet wound that has ripped through her jaw; and Katrina, who is dead, shot in the chest. The investigating team is led by Detective Harold Lenhardt - himself the father of an adolescent girl. He soon discovers information that is at odds with the story Josie is telling. Other clues at the scene suggest there was a fourth girl who witnessed the entire episode from behind a locked stall. Where is she now? How did she get out? Five years before this fatal shooting in the locked toilet, three girls met aged ten, and took a vow of eternal friendship. How did that passionate friendship change and evolve and finally fall apart?

The winner of every major literary award in crime fiction, Laura Lippman brings back her complex and vulnerably human Baltimore P.I., Tess Monaghan, in a tense, expertly spun tale of a family torn asunder by forces it can barely comprehend.Mark Rubin's family is missing -- and the police can't do a thing because all the evidence indicates that his wife left willingly. So the successful furrier turns to Tess Monaghan, hoping she can help him find his wife and three children. Tess doesn't know quite what to make of Rubin, a wealthy Orthodox Jew who refuses to shake her hand and doles out vitally important information in grudging dribs and drabs. According to her client, he and his beautiful wife, Natalie, had a flawless, happy marriage. Yet one day, without any warning or explanation, Natalie gathered up their children and vanished.Tapping into a network of fellow investigators spread across the country, Tess is soon able to locate the runaway wife and her stolen progeny, moving furtively from state to state, town to town. But the Rubins are not alone. A man is traveling with them, a stranger described by witnesses as "handsome" and "charming" but otherwise unremarkable to these casual observers, who have no way of sensing the fury beneath his smooth surface.The motive behind Natalie's reckless flight lies somewhere in the gap between what Mark Rubin will not say and what he refuses to believe. An intricate web of betrayal and vengeance is already beginning to unravel, as memory begets rage and rage leads to desperation -- and murder. And suddenly much more than one man's future happiness and stubborn pride are in peril; the lives of three innocent children are dangling by the slenderest of threads.

Private investigator Tess Monaghan witnesses a local tradition turn deadly at the gravesite of Edgar Allan Poe. Now someone's leaving cryptic clues on her doorstep ... someone who knows her every move. Someone who must be stopped.

Five brutal homicides ... zero arrests. Disgraced private investigator Tess Monaghan agrees to review the police murder files for blunders and finds a single common thread emerging with shocking clarity -- the link is Tess Monaghan herself.

When Luther Beale, a vigilante who shot a boy, appeals to Baltimore private detective Tess Monaghan to help him atone for his crime, she finds herself on a trail of money, mendacity, and murder that leads straight to Butchers Hill.

Edgar Award-winner Laura Lippman is developing a reputation as one of the most exciting new detective fiction authors in years. Now she delivers her most suspenseful novel yet, and places Baltimore's Tess Monaghan...In Big Trouble.First as a reporter and then as a p.i., Tess Monaghan has learned how to survive and thrive on the streets of Baltimore. But a new case will force her to confront her own past, and a man she loved and lost. It starts when she gets a newspaper photograph of her old boyfriend with a tantalizing shard of headline attached: In Big Trouble. The answers lie far from Baltimore, deep in a world of good-time music, old-fashioned ambiiton, and rich people's games. For Tess must find out what happened to a man she thought she knew, to a woman who may have changed him forever, and to the victims of a killer who dances to a different — and deadly — drummer.

As a practiced reporter until her newspaper went to that great pressroom in the sky, P.I. Tess Monaghan knows and loves every inch of her native Baltimore, even the parts being slobbered on by the sad-sack greyhound she's minding for her uncle. It's a quirky city where baseball reigns, but lately homicide seems to be the second most popular local sport. Business tycoon "Wink" Wynkowski is trying to change all that by bringing pro basketball back to town, and everybody's rooting fro him — until a devastating, muckraking expose of his lurid past appears on the front page of the Baltimore Beacon-Light. It's a surprise even to the Blight's editors, who thought they'd killed the piece. Instead, the piece killed Wink — who's found in his garage with the car running.Now the Blight wants to nail the unknown computer hacker who planted the lethal story, and the assignment is right up the alley of a former newshound like Tess. But it doesn't take long for her to discover deeper, darker secrets, and to realize that this situation is really more about whacking than hacking. It's just murder in Baltimore these days — and Tess Monaghan herself might be next on the list.As a practiced reporter until her newspaper went to that great pressroom in the sky, P.I. Tess Monaghan knows and loves every inch of her native Baltimore, even the parts being slobbered on by the sad-sack greyhound she's minding for her uncle. It's a quirky city where baseball reigns, but lately homicide seems to be the second most popular local sport. Business tycoon "Wink" Wynkowski is trying to change all that by bringing pro basketball back to town, and everybody's rooting for him — until a devastating, muckraking expose of his lurid past appears on the front page of the Baltimore Beacon-Light. It's a surprise even to the Blight's editors, who thought they'd killed the piece. Instead, the piece killed Wink — who's found in his garage with the car running.Now the Blight wants to nail the unknown computer hacker who planted the lethal story, and the assignment is right up the alley of a former newshound like Tess. But it doesn't take long for her to discover deeper, darker secrets, and to realize that this situation is really more about whacking than hacking. It's just murder in Baltimore these days — and Tess Monaghan herself might be next on the list.

Once the best of friends until a terrible secret tore them apart, a group of friends are suddenly brought back together under tragic circumstances and wonder if their long-ago lie is the reason for their troubles today and if someone is out to destroy them.

Amber Glass has spent her entire adult life putting as much distance as possible between her and her hometown of Baltimore, where she fears she will forever be known as “Prom Mom”—the girl who allegedly killed her baby on the night of the prom after her date, Joe Simpson, abandoned her to pursue the girl he really liked. But when circumstances bring Amber back to the city, she realizes she can have a second chance—as long as she stays away from Joe, now a successful commercial real estate developer, married to a plastic surgeon, Meredith, to whom he is devoted. The problem is, Amber can’t stay away from Joe. And Joe finds that it’s increasingly hard for him to ignore Amber, if only because she remembers the boy he was and the man he said he was going to be. Against the surreal backdrop of 2020 and early 2021, the two are slowly drawn to each other and eventually cross the line they’ve been trying not to cross. And then Joe asks Amber to help him do the unthinkable... and she must decide if she is willing to let their toxic and dangerous past repeat itself.

"Years ago, they were all the best of friends. But as time passed and circumstances changed, they grew apart, became adults with families of their own, and began to forget about the past--and the terrible lie they all shared. But now Gordon, the youngest and wildest of the five, has died and the others are thrown together for the first time in years. And then the revelations start. Could their long-ago lie be the reason for their troubles today? Is it more dangerous to admit to what they've done or is it the strain of keeping the secret that is beginning to wear on them and everyone close to them? Each one of these old friends has to wonder if their secret has been discovered--and if someone within the circle is out to destroy them."-- Publisher description.