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Jan 1, 1922 — —· 104 yrs

EXHIBITIONS · ART

Jean Sutherland Boggs

Also known as: Jean Sutherland; Druick, Douglas, W.; Loyrette, Henri; Pantazzi, Michael; Tinterow, Gary Boggs, Jean Sutherla Boggs

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DEGAS: I don't want you any more!

— from Degas, 1986

Most acclaimed

#1

Degas

1986

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This substantial new monograph on the work of Edgar Degas (1834-1917), one of the most significant artists of the 19th and 20th centuries, is a decisive contribution to the literature on the French Impressionist artist. An innovative and groundbreaking book, with underlying discussions related to "dance, politics and society," it pays special attention to issues of gender, identity, labor, race and the representation of women. Degas worked in various mediums, and, at the end of his life, left around 6,000 works, including 2,000 related to the world of dance and ballet. The contradictions and ambiguities of his art, especially the way he straddles both tradition and modernity, reaffirm both his uniqueness and significance in the history of Western art. Degas: Dance, Politics and Society includes ten essays, never before published, by experts around the world, and also features a visual essay of black-and-white photographs of the bronze sculptures, including Little Dancer Aged Fourteen, by the Brazilian artist Sofia Borges. Through her camera, Borges reinterprets and conceives new images of Degas' most cherished and classic sculptures. Borges' extraordinary photographs reveal, transform and revisit Degas' works in an innovative and radical manner. Exhibition: Museu de Arte de São Paulo Assis Chateaubriand, São Paulo, Brazil (12.04.2020-08.01.2021).

#2

The National Gallery of Canada

1971

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#3

Degas at Harvard (Distributed for the Harvard University Art Museums)

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This volume is a catalog published in conjunction with a 2005 exhibition organized by the Harvard University Art Museums. Co-author Cohn offers a historical account of the unusually deep collection of Degas's works at the Fogg (it's one of the most important in the United States); and art historian Boggs writes of her experiences as a student (beginning in 1944) with Paul J. Sachs, Degas's champion at the Fogg and the man who inspired her own and many others' scholarship. The catalog contains 53 color and 41 b&w plates showcasing the museum's paintings, drawings, prints, photographs, and sculptures.

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