Janette Turner Hospital

#2

The killings on Isle Royale have left Anna drained and haunted, her memories of her time with the wolf study group forever marred by the carnage on the island. Diagnosed with post-traumatic stress disorder, she is on administrative leave, per her superintendents urging. Anna wonders if the leave might not be permanent, either by her own choice or that of the National Park Service.The one bright spot in Annas life is Paul, her husband of less than a year. Hoping the warmth and the adventure of a raft trip in Big Bend National Park will lift her spirits, Paul takes Anna to southwest Texas, where the sun is hot and the Rio Grande is running high. The sheer beauty of the Chihuahuan Desert and the power of the river work their magic until the raft is lost in the rapids and a young college student falls overboard, resulting in an even more grisly discovery. Caught in a strainer between two boulders and more dead than alive, is a pregnant woman, hair and arms tangled in the downed branches.Instead of the soul-soothing experience theyd longed for, Anna and Paul find themselves sucked into a labyrinth of intrigue that leads from the Mexican desert to the steps of the Governors Mansion in Austin, Texas.

#3

This indispensable volume contains the best of Frank O’Connor's short fiction. From “Guests of the Nation” to “The Mad Lomasneys” to “First Confession” to “My Oedipus Complex,” these tales of Ireland have touched generations of readers the world over and placed O'Connor alongside W. B. Yeats and James Joyce as the greatest of Irish authors. Analyzing a Robert Browning poem, O'Connor once wrote: “Since a whole lifetime must be crowded into a few minutes, those minutes must be carefully chosen indeed and lit by an unearthly glow.” Each of the sixty-seven stories gathered here achieves the same incredible feat of the imagination, laying bare entire lives and histories within the space of a few pages. Dublin schoolteacher Ned Keating waves good-bye to a charming girl and to any thoughts of returning to his village home in the lyrical and melancholy “Uprooted.” A boy on an important mission is waylaid by a green-eyed temptress and seeks forgiveness in his mother’s loving arms in “The Man of the House,” a tale that draws on O'Connor’s own difficult childhood. A series of awkward encounters and humorous misunderstandings perfectly encapsulates the complicated legacy of Irish immigration in “Ghosts,” the bittersweet account of an American family’s pilgrimage to the land of their forefathers. As a writer, critic, and teacher, O'Connor elevated the short story to astonishing new heights. This career-spanning anthology, epic in scope yet brimming with the small moments and intimate details that earned him a reputation as Ireland’s Chekhov, is a testament to Frank O’Connor's magnificent storytelling and a true pleasure to read from first page to last.