NORSE MYTHOLOGY · FOLKLORE
Hilda Roderick Ellis Davidson
Also known as: Hilda Ellis Davidson, Hilda Roderick (Ellis) Davidson
British folklorist
Christianity was firmly established in north-western Europe in the twelfth century, but there was still interest in the heathen legends of the gods.
— from Gods and myths of northern Europe, 1960
Most acclaimed
Gods and myths of northern Europe
1960
Tiw, Woden, Thunor, Frig... these ancient northern deities gave their names to the very days of our week. Nevertheless most of us know far more of Mars, Mercury, Jupiter, Venus and the classical deities. Recent researches in archaeology and mythology have added to what was already a fairly consistent picture (largely derived from a twelfth-century Icelandic account) of the principal Scandinavian gods and godesses. This study is the work of a scholar who has long specialized in Norse and Germanic mythology. She describes the more familiar gods of war, of fertility, of the sky and the sea and the dead, and also discusses those most puzzling figures of Norse mythology – Heimdall, Balder and Loki. All these deities were worshipped in the Viking Age, and the author has endeavoured to relate their cults to daily life and to see why these pagan beliefs gave way in time to the Christian faith. Hilda Ellis Davidson studied Anglo-Saxon and Old Norse under the Chadwicks at Newnham College, Cambridge, where she took Firsts in English Literature and what was then known as Archaeology and Anthropology. She received her Ph.D. in 1940 for a thesis on beliefs about the dead in Old Norse literature. She lectured in English Language and Literature at Royal Holloway College and BirkBeck College in the University of London, and was elected a Fellow of the Society of the Antiquaries in 1950. In 1973 she became a Fellow of Lucy Cavendish College, Cambridge, where she was Vice-President from 1975 until 1980. She was president of the Folklore Society from 1973 to 1976, and General Editor of the nineteen Mistletoe Books published between 1974 and 1984. She is married with two children, and ten grandchildren, and lives in Cambridge.
The Sword in Anglo-Saxon England
1962
"The Sword is closely associated with all that was most significant in a man's life in the Anglo-Saxon world: family ties, loyalty to a lord, the duties of a king, the excitement of battle, the attainment of manhood, and the last funeral rites. Hilda Ellis Davidson explores the revelations of archaeology, methods of sword-making, and references in Anglo-Saxon poetry and Old Norse sagas to reveal a past where the sword was of supreme importance, as a weapon and as a symbol. She restores a vital dimension to Old English literature, and endows those few surviving swords in museums with a real glamour and magic." "She shows that for a fuller understanding of Anglo-Saxon poetry it is important to have due regard to the warrior culture from which it sprang, and of the potent part played by the sword within that culture. Much can be learnt from surviving swords and from the context in which they are discovered.^ Careful study of the disposition of swords found in peat bogs in Denmark, and in graves, lakes and rivers in the British Isles, yields information on religious and social practices. The swords themselves, and their decoration, reveal the technical skill and cultural achievements of the people who wielded them." "To read Beowolf is to be immediately aware of the aura of magical power the poet vested in the sword, and Hilda Ellis Davidson's other concern in this book is to look at literary sources for what they reveal of the quality of a good sword and its significance in Anglo-Saxon and Viking societies - for Viking raiders played as important a part as Anglo-Saxon colonists in the history of early medieval Britain. A survey of the sword in Anglo-Saxon historical records and poetry is followed by an exploration of descriptions of the sword, and of the parts of the sword, in Old Norse literature.^ The real world of the Anglo-Saxons is brought into dramatic close-focus through this thorough study of the physical remains and literary memorials of a highly-charged symbol." --Book Jacket.