FRANCE AUTHOR · ILLUSTRATIONS · BIBLE
Gustave Doré
Also known as: Gustave Dore, Gustavo Dore
Paul Gustave Louis Christophe Doré (UK: DOR-ay, US: dor-AY; French: [ɡystav dɔʁe]; 6 January 1832 – 23 January 1883) was a French printmaker, illustrator, painter, comics artist, caricaturist, and sculptor. He is best known for his prolific output of wood-engravings illustrating classic literature, especially those for the Vulgate Bible and Dante's Divine Comedy. These achieved great international success, and he became renowned for printmaking, although his role was normally as the designer only; at the height of his career some 40 block-cutters were employed to cut his drawings onto the wooden printing blocks, usually also signing the image. He created over 10,000 illustrations, the most important of which were copied using an electrotype process using cylinder presses, allowing very large print runs to be published simultaneously in many countries. Although Doré's work was popular with the general public during his life, it was met with mixed reviews from contemporary art critics.
Many times since the Earth was young, the place had lain under the sea.
— from London
Most acclaimed
London
This dazzling and yet intimate book is the first modern one-volume history of London from Roman times to the present. An extraordinary city, London grew from a backwater in the Classical age into an important medieval city, a significant Renaissance urban center, and a modern collossus. Roy Porter writes a whole life of this world-renowned place - from the grid streets and fortresses of Julius Caesar and William the Conqueror to the medieval, walled "most noble city" of churches, friars, and crown and town relationships. Within the crenellated battlements, manufactures and markets developed and street-life buzzed, enlivened with the cries of hawkers and peddlers. People worked, talked, haggled, and relaxed in London's medieval streets, while craftsmen lived where they worked, nestled trade-by-trade in neighborhoods. London's profile in 1500 was much as it was at the peak of Roman power. The city owed its courtly splendor and national pride of the Tudor Age to the phenomenal expansion of its capital. It was the envy of foreigners, the spur of civic patriotism, and a hub of culture, architecture, and great literature and new religion. Tudor Londoners had an insatiable appetite for new workshops, yards and stores, and comfortable homes; and makeshift quarters for laborers from rural areas began to dot the rising city.
Gustave Doré
1973
"Among the masters of the nineteenth-century comic strip, Gustave Doré has been much neglected. For his illustrations to literary classics, he earned an unsurpassed reputation and corresponding scholarly attention. Doré himself repudiated his early work, and similarly critics and biographers have given short shrift to his beginnings as a caricaturist. These caricatures are herein rescued entirely for the first time in English by the renowned comics scholar David Kunzle. Doré's caricature is known to a few specialists, but virtually no one has pointed out that his mastery of the comic strip particularly marks him as an entirely original figure in the post-Töpffer era of revolutionary, mid-century France. Doré, remarkably, created these comic strips when he was between fifteen and twenty-two years old, for Charles Philipon's Journal pour Rire (The Laughter Journal), virtually dominating its seven-year (1848-55) history. He also did three fairly long, separately published albums, which show him at his very best. They are consistently funny, often ludicrous, and illustrate a graphic inventiveness unmatched until the twentieth century. In these graphic stories, Doré parodies an ancient fable, the discomforts of life in the country, the perils of artistic ambition, the absurdities of mountaineering and travel, as well as the antics of schoolboys. This book provides a context for Doré's caricatures, focusing on his comic strips in the Journal pour Rire, the character of the journal, and the three comic strip albums he created while he worked there. Kunzle's analysis reveals Doré's debts to his predecessors, Töpffer, Cham, and Nadar. None of Doré's Journal strips has ever been republished. Some of the albums were republished, reduced and incomplete, in German and French. This edition includes facsimiles of the twelve most significant comic strips and the first translation into English of the captions. "--