George Peabody Gooch

#2

The Pulitzer Prize-winning author of Peter the Great, Nicholas and Alexandra, and The Romanovs returns with another masterpiece of narrative biography, the extraordinary story of an obscure young German princess who traveled to Russia at fourteen and rose to become one of the most remarkable, powerful, and captivating women in history. Born into a minor noble family, Catherine transformed herself into Empress of Russia by sheer determination. Possessing a brilliant mind and an insatiable curiosity as a young woman, she devoured the works of Enlightenment philosophers and, when she reached the throne, attempted to use their principles to guide her rule of the vast and backward Russian empire. She knew or corresponded with the preeminent historical figures of her time: Voltaire, Diderot, Frederick the Great, Empress Maria Theresa of Austria, Marie Antoinette, and, surprisingly, the American naval hero, John Paul Jones. Reaching the throne fired by Enlightenment philosophy and determined to become the embodiment of the "benevolent despot" idealized by Montesquieu, she found herself always contending with the deeply ingrained realities of Russian life, including serfdom. She persevered, and for thirty-four years the government, foreign policy, cultural development, and welfare of the Russian people were in her hands. She dealt with domestic rebellion, foreign wars, and the tidal wave of political change and violence churned up by the French Revolution that swept across Europe. Her reputation depended entirely on the perspective of the speaker. She was praised by Voltaire as the equal of the greatest of classical philosophers; she was condemned by her enemies, mostly foreign, as "the Messalina of the north." Catherine's family, friends, ministers, generals, lovers, and enemies -- all are here, vividly described. These included her ambitious, perpetually scheming mother; her weak, bullying husband, Peter (who left her lying untouched beside him for nine years after their marriage); her unhappy son and heir, Paul; her beloved grandchildren; and her "favorites" -- the parade of young men from whom she sought companionship and the recapture of youth as well as sex. Here, too, is the giant figure of Gregory Potemkin, her most significant lover and possible husband, with whom she shared a passionate correspondence of love and separation, followed by seventeen years of unparalleled mutual achievement. The story is superbly told. All the special qualities that Robert K. Massie brought to Nicholas and Alexandra and Peter the Great are present here: historical accuracy, depth of understanding, felicity of style, mastery of detail, ability to shatter myth, and a rare genius for finding and expressing the human drama in extraordinary lives. History offers few stories richer in drama than that of Catherine the Great. In this book, this eternally fascinating woman is returned to life. - Publisher.

#3

1970

An ambitious portrait that concentrates on the enlightened monarch’s intellectual (rather than military) achievements. From an early age, Frederick the Great (1712–86) was an avid reader and flutist, much to the chagrin of his warlike, overbearing father, Frederick William I. At 18, Frederick was imprisoned and courtmartialled (and a friend of his was executed) for plotting to flee his father’s dull court for France, where he intended to realize his artistic and literary dreams. Having failed in his escape, Frederick had a strict regimen of political and religious study imposed on the young prince—one that served him well during the Seven Years War (when he faced, and defeated, almost all the other European powers combined). Frederick turned Prussia into a force to be reckoned with: he added territory to the kingdom, further modernized the army, encouraged religious tolerance, and implemented sweeping legal reform. But his major accomplishment as portrayed by MacDonogh (Berlin, 1998) was his patronage of the arts, particularly his correspondence with Voltaire. MacDonogh intersperses scenes of war throughout Germany with Frederick’s exchange of letters with the philosopher. The two maintained a lovehate relationship for 42 years, their letters filling three volumes of Frederick’s collected writings. Voltaire, forever greedy for more royal indulgences, runs between Versailles and Potsdam—at one point being arrested at the border by Prussian soldiers who feared that he might publish some of Frederick’s more bawdy poems. Frederick, his admiration for Voltaire bordering on obsession, tolerates the philosopher even when the French king employs him as a spy. As Frederick did so much in the military arena, however, it’s impossible not to devote space to that material. MacDonogh traces Frederick’s conquests, but never with the same gusto as when he discusses his turbulent relations with intellectuals. As a result, as a military history, the work suffers in depth what it gains in breadth, with the cultural history making up for the loss.