Eugène Atget

109 pages : 22 cm

"From 1897 until his death in 1927 Atget was photographer of Paris par excellence. This book brings together 840 of his images arranged district by district, neighborhood by neighborhood-it is the most prolific collection of his work ever published. To turn the pages is to take an unforgettable stroll through the eerie, empty streets of Paris 70 years ago. It is a strange, largely unpeopled world where objects project an uncanny density: shoes dangling in a shop window, or the milk cart laden with cans and equipped with whip and reins but no driver. This is Atget's Paris and in typical Atget style those humans that do appear are the humble tradespeople, the ragpickers, the prostitutes. Although hailed by the surrealists for the poetic quality of his images, Atget refused to accept that he was an artist, claiming that the pictures he took were simply documents. He has become known as the first modern photographer and had the unique ability to inject a tragic quality into ordinary things. As a special tribute this book has been formatted in the shape of a Parisian cobblestone."--Amazon.

"Eugene Atget's photographs of Paris are among the greatest works in photography made at any time, in any place. Spanning a twenty-nine-year period (1898-1927), Atget's photographs are literally the Paris of our collective imagination.". "In 1927 Berenice Abbot became the largest collector of Atget's work when she purchased his estate. For the next forty years, Abbott devoted much of her creative life to popularizing Atget's work. Our vision of Eugene Atget and Atget's Paris was literally Abbott's invention. Drawn from work in previously unpublished archives, this book details Abbott's rare prints of Atget's negatives for the first time.". "Today, Atget's work forms the bedrock of an American modernist photographic vision. Yet the Abbott/Atget printings are among the least known and most vibrant prints in the photographic medium. This work represents one of the few instances of one great photographer printing another great photographer's work. Representing perhaps only one percent of Atget's surviving work, the prints are Abbott's vision of the photographer who single-handedly changed photographic modernism in the twentieth century."--BOOK JACKET.