UNITED STATES AUTHOR · FICTION · WOMEN COLLEGE TEACHERS
Carol Goodman
I HAVE BEEN TOLD TO MAKE THE LATIN CURRICULUM RELEvant to the lives of my students.
— from The lake of dead languages
Most acclaimed
River Road
It's been thirteen years since Lucy Sheridan was in Summer River. The last time she visited her aunt Sara there, as a teenager, she'd been sent home suddenly after being dragged out of a wild party--by the guy she had a crush on, just to make it more embarrassing. Obviously Mason Fletcher--only a few years older but somehow a lot more of a grown-up--was the overprotective type who thought he had to come to her rescue. Now, returning after her aunt's fatal car accident, Lucy is learning there was more to the story than she realized at the time. Mason had saved her from a very nasty crime that night--and soon afterward, Tristan, the cold-blooded rich kid who'd targeted her, disappeared mysteriously, his body never found. Summer River has changed, from a sleepy farm town into a trendy upscale spot in California's wine country. But Mason is still a protector at heart, a serious (and seriously attractive) man. And when he and Lucy make a shocking discovery inside Sara's house, and some of Tristan's old friends start acting suspicious, Mason's quietly fierce instincts kick into gear. He saved Lucy once, and he'll save her again. But this time, she insists on playing a role in her own rescue.
The widow's house
When Jess and Clare Martin move from Williamsburg, Brooklyn, to their former college town in the Hudson River valley, they are hoping for rejuvenation -- of their marriage, their savings, and Jess's writing career. They take a caretaker's job at Riven House, a crumbling estate and the home of their old college writing professor. While Clare once had dreams of being a writer, those plans fell by the wayside when Jess made a big, splashy literary debut in their twenties. It's been years, now, since his first novel. The advance has long been spent. Clare's hope is that the pastoral beauty and nostalgia of the Hudson Valley will offer some inspiration. But their new life isn't all quaint town libraries and fragrant apple orchards. There is a haunting pall that hangs over Riven House like a funeral veil. Something is just not right. Soon, Clare begins to hear babies crying at night, see strange figures in fog at the edge of their property. Diving into the history of the area, she realizes that Riven House has a dark and anguished past. And whatever this thing is -- this menacing force that destroys the inhabitants of the estate -- it seems to be after Clare next&
The Ghost Orchid
In her enthralling novels of literary suspense, Carol Goodman writes stories that resonate with emotion set in lush landscapes that entice the senses. Now, with The Ghost Orchid, a narrative that seamlessly weaves together the past and the present, Goodman creates her most lyrical and haunting work to date. For more than one hundred years, creative souls have traveled to Upstate New York to work under the captivating spell of the Bosco estate. Cradled in silence, inspired by the rough beauty of overgrown gardens and crumbling statuary, these chosen few fashion masterworks--and have cemented Bosco's reputation as a premier artists' colony. This season, five talented artists-in-residence find themselves drawn to the history of Bosco, from the extensive network of fountains that were once its centerpiece but have long since run dry to the story of its enigmatic founder, Aurora Latham, and the series of tragic events that occurred more than a century ago.Ellis Brooks, a first-time novelist, has come to Bosco to write a book based on Aurora and the infamous summer of 1893, when wealthy, powerful Milo Latham brought the notorious medium Corinth Blackwell to the estate to help his wife contact three of the couple's children, lost the winter before in a diphtheria epidemic. But when a seance turned deadly, Corinth and her alleged accomplice, Tom Quinn, disappeared, taking with them the Lathams' only surviving child. The more time she spends at Bosco, the more Ellis becomes convinced that there is an even darker, more sinister end to the story. And she's not alone: biographer Bethesda Graham uncovers stunning revelations about Milo and Corinth; landscape architect David Fox discovers a series of hidden tunnels underneath the gardens; poet Zalman Bronsky hears the long-dry fountain's waters beckoning him; and novelist Nat Loomis feels something lingering just out of reach.After a bizarre series of accidents befalls them, the group cannot deny the connections between the long ago and now, the living and the dead . . . as Ellis realizes that the tangled truth may ensnare them all in its cool embrace.From the Hardcover edition.