FICTION · HISTORY
Brock Thoene
Also known as: Bodie Thoene
LET ME be drawn up into the immensity.
— from First light
Most acclaimed
The Gathering Storm
2009
One of the most fascinating works of history ever written, Winston's Churchill's monumental The Second World War is a six-volume account of the struggle of the Allied powers in Europe against Germany and the Axis. Told through the eyes of British Prime Minister Winston Churchill, The Second World War is also the story of one nation's singular, heroic role in the fight against tyranny. Pride and patriotism are evident everywhere in Churchill's dramatic account and for good reason. Having learned a lesson at Munich that they would never forget, the British refused to make peace with Hitler, defying him even after France had fallen and after it seemed as though the Nazis were unstoppable. Churchill remained unbowed throughout, as did the people of Britain in whose determination and courage he placed his confidence. Patriotic as Churchill was, he managed to maintain a balanced impartiality in his description of the war. What is perhaps most interesting, and what lends the work its tension and emotion, is Churchill's inclusion of a significant amount of primary material. We hear his retrospective analysis of the war, to be sure; but we are also presented with memos, letters, orders, speeches, and telegrams that give a day-by-day account of the reactions—both mistaken and justified—to the unfolding drama. Strategies and counterstrategies develop to respond to Hitler's ruthless conquest of Europe, his planned invasion of England, and his treacherous assault on Russia. It is a mesmerizing account of the crucial decisions that have to be made with imperfect knowledge and an awareness that the fate of the world hangs in the balance. The Gathering Storm is the first volume of The Second World War. In some ways a continuation of The World Crisis, Churchill's history of World War I, The Gathering Storm is his attempt to come to grips with the terrible circumstances that gave rise to Nazi Germany and a second, even more destructive world conflict. As he notes in his preface, Churchill was perhaps the only person who held such prominent positions of power in both world wars, so he is remarkably well-qualified to tell the tragic story of war to peace to war. The Gathering Storm considers the stipulations and consequences of the Treaty of Versailles, the rise of Adolf Hitler, the capitulation at Munich and the entry of the British into the war. The volume is pervaded by Churchill's somber feeling that the Second World War was largely a senseless and avoidable conflict, but it sets the stage for the heroism and glory that are to follow. Churchill won the Nobel Prize for Literature in 1953 due in no small part to this awe-inspiring work.
Vienna Prelude
Predating the events of The Zion Chronicles, Vienna Prelude opens in pre-World War II Austria. Elisa Lindheim, a violinist with the Vienna Symphony Orchestra, is of Jewish heritage but has adopted an Aryan stage name. Thus she is able to travel and play in Germany even though a 1935 law forbids Jewish musicians to do so. John Murphy, a reporter for the New York Times in Berlin and Austria, becomes linked with English politicians in a plan to overthrow Hitler. Elisa and John's mutual connections with the Jewish underground entangle them in a web of intrigue, danger, and conspiracy. - Publisher.
In My Father's House
By an extraordinary quirk, the McLean family entertained Confederates at their Manassas home just before the battle of Bull Run--and also hosted the peace negotiations at Appomattox, where they had moved to escape the war. Staying close to documented facts, as detailed in an excellent note, Rinaldi uses the McLeans' lives to dramatize the war's moral dilemmas. From his marriage in 1852, Will McLean has an uneasy relationship with his feisty seven-year-old stepdaughter Osceola (``Oscie''), the narrator; though she loves and respects the northern governess Will hires, and absorbs many of her ideas, Oscie is uneasy with Will's progressive stance toward slavery and, later, with his profiteering. Some of Rinaldi's inventions are unevenly developed--Oscie's long-held suspicions of one slave (dispelled when she understands her true story); a couple of romances typical of the era--though they do fill out the story. The most compelling relationship is between Oscie and Will, strong-minded characters, often opposed, whose mutual respect turns believably into a father-daughter bond, touchingly acknowledged in the last scene. Meanwhile, the author skillfully weaves history into her story--offstage battles, resentment against profiteers, a remarkable depiction of the northern generals taking the McLeans' furniture as memorabilia of Lee's surrender. Despite some weaknesses (Oscie at seven is unbelievably mature, and there's a 20th-century feel to some of the dialogue): a sweeping, dramatic overview of the war, authentic and compelling. Bibliography; chronology. (Fiction. 12+) -- Copyright ©1993, Kirkus Associates, LP. All rights reserved. --This text refers to an out of print or unavailable edition of this title.