Barbara Parker

Hoping to further her bond with her new husband, Anthony, by visiting his Cuban home, Gail learns more about Anthony's divided loyalties between his Revolution-supporting family and dissident writer friends, one of whom has a son who is part of an underground plot to assassinate a top Cuban general.

After turning down a lucrative partnership in a prestigious Miami law firm to start her own business, Gail has become engaged to Anthony--her longtime friend and lover. Embarking on this new life together inevitably opens the door to Anthony's past--a shadowy past containing an unspeakable tragedy. Now, as Gail accepts her first major case, elements from Anthony's past and present come together to threaten his entire family, and endanger his future with Gail.

A smart and successful young attorney, Gail Connor is on the verge of a partnership at a major law firm in the "new" Miami, a city more Latin than Anglo, with a dark side that slides right into the Everglades. But Gail's success at work has masked failure in her personal life: an empty marriage, a daughter she hardly knows, and a past she would rather forget. Then her sister, Renee, is found dead with her wrists slashed. After Renee's suicide, Gail, left to sort out her complicated feelings for her younger, prettier sister, soon uncovers some of Renee's shocking secrets. But most shocking of all is the police's determination that Renee was murdered...and Gail is the prime suspect. Gail's only hope is getting the best attorney she knows--her recent adversary in court, Anthony Quintana. But in what may be a major miscalculation for an otherwise street-smart woman, Gail finds herself drawn to her darkly handsome lawyer, a man whose past holds its own surprises.

Blood Relations is the story of Refugio, whose family has worked in the mines of Northern Mexico for generations. His grandfather dies of silicosis, while his father is reduced to part-time work, but Refugio plans to follow in their footsteps. He takes it as rejection when his brother, Antonio, refuses to let him enter the mines. Then Antonio, too, begins spitting blood, and once more the pageantry of flowers and a black casket repeats itself. Refugio has been saved, but only to know the agony of watching helplessly as the one who sacrificed himself slowly wastes away.

When Anthony Quintana and Gail Connor are asked to take on the appeal of a death row inmate, they encounter opposition from the community where the crime took place, as they suspect that their client has been the victim of conspiracy.

"Recently married, Gail Connor hopes to learn more about her husband by visiting Cuba, his ancestral home. Anthony Quintana's loyalties are divided between his family, believers in the Revolution, and his friends, including dissident writer Yolanda Cabrera. No one is aware that Yolanda's twenty-year-old son, Mario, belongs to an underground group plotting the assassination of a Cuban general. The night before Gail and Anthony leave for Havana, the CIA pays a visit. They want Anthony to deliver a message to General Ramiro Vega: He is in grave danger, unless he defects. Why is Vega so important? The answer leads to the discovery of a secret terrorist threat, and a love from the past that could tear Gail and Anthony apart"--Container.

A lawyer's life unravels when her 11-year-old daughter receives death threats. Gail Connor of Miami prides herself on being tough and this has earned her many enemies. They range from disgruntled clients to an ex-husband contesting custody. By the author of Suspicion of Innocence.

Miami attorney Gail Connor is drawn into a web of violence and conspiracy when she takes on a case of suspected forgery that could bring millions of dollars to her firm, and discovers the crime is masking a brutal murder.

Teresa et Martin Greenwald demandent de l'aide à Anthony Quintana pour défendre leur fils, accusé du meurtre d'une jeune femme de 22 ans. Avec sa fiancée Gail Connor, il se rend sur l'île de Lindeman Key pour résoudre cette affaire, mais bientôt d'autres crimes plus atroces les uns que les autres sont perpétrés.