

CRITICISM AND INTERPRETATION · DRAMA
A. M. Gibbs
IT might be said that to declare Shaw a man behind a mask is only a way of calling him a human being.
— from Bernard Shaw
Most acclaimed

A Bernard Shaw chronology
"A. M. Gibbs provides an authoritative and comprehensive account of the life, career and associations of George Bernard Shaw (1856-1950), one of the most eminent and influential figures of the modern age. Drawing on a wide range of published and unpublished material, the work illuminates the complex fabric of Shaw's extraordinary career as playwright, novelist, critic, orator, political activist, social commentator, avant-garde thinker and controversialist. Images of Shaw's daily private life, and of his tangled love affairs, flirtations and friendships, are intertwined with the records of his prodigiously productive career as public figure and creative writer, in a fully documented study which is both a scholarly resource and a lively biographical portrait.". "An introductory chapter explores theoretical issues in biography raised by the chronology form, and a chapter on Shaw's ancestry and family supplies new evidence about his Irish background. A Who's Who section contains thumbnail sketches of over two hundred contemporaries of Shaw who had significant associations with him."--BOOK JACKET.

Bernard Shaw
When Michael Holroyd's multivolume life of Bernard Shaw was published, it was hailed as a masterpiece. Now the biography is available for the first time in a lively and accessible abridgment by the author. Playwright, wit, socialist, polemicist, vegetarian, and irresistible charmer, Bernard Shaw was the most controversial literary figure of his age, the scourge of Victorian values and middle-class pretensions. At the turn of the century, Shaw was in his prime, a theatrical impresario and author of those great campaigning plays - Man and Superman, Major Barbara, The Doctor's Dilemma, and John Bull's Other Island - that used laughter as an anesthetic for the operation he performed on British society. By 1914 the author of Pygmalion was the most popular writer in England, and increasingly recognized throughout Europe and America. The reluctant recipient of a Nobel Prize for literature and an Academy Award for his screenplay for Pygmalion, Shaw became an international icon between the two world wars, feted from China and Soviet Russia to India and New Zealand, though still contriving to provoke the establishment in the United States, South Africa, and Ireland. He revealed himself increasingly as conjurer, fabulist, and seer through his powerful late works, including Saint Joan, the Chekhovian Heartbreak House, the modernist fantasy Back to Methuselah, and the imaginative dream plays and political extravaganzas.